Stories - Spaces & Stories

Expanding Boundaries: Black Tech Fest 2024 at Drumsheds

Exhibition White City Gears Up for an Exciting New Chapter

Redefining Possibilities: A Half-Decade of Magazine London

In just five years, Magazine London has hosted iconic performances by artists like Kylie Minogue, Raye, and Fatboy Slim, while also serving as the backdrop for prestigious events such as the Gay Times Awards, GQ Awards, and the BRIT Awards After Party. The venue continues to demonstrate its versatility for both high-profile celebrations and immersive brand experiences.

Drumsheds: Space for Everyone

Drumsheds is more than a venue - it's the heartbeat of London's diverse and ever-changing cultural scene, drawing people together with its gravitational pull. It’s a space for everyone.

Redefining Destination Weddings: The Unique Appeal of Tying the Knot at The Pumping House and Control Room A

Nestled within the ancient woodlands of Sherwood Forest and the historic walls of Battersea Power Station stands The Pumping House and Control Room A, offering a fresh perspective on what it means to celebrate love in a unique setting.

casisdead

CASISDEAD: Unveiling the Dark Horse Behind “Venom”

In the aftermath of his success at the Brit Awards, discover CASISDEAD's and the dark horse behind 'Venom.'

Depot Mayfield: A Testament to Manchester’s Industrial and Cultural Legacy

Nestled within the heart of Manchester, Depot Mayfield stands as a vibrant symbol of the city's rich industrial heritage and its ongoing cultural renaissance.

Control Room A in the Cinematic Landscape

From its Art Deco design to its integral role in London's power distribution network, Control Room A serves not only as a functional hub but also as a backdrop for cinematic moments that have left an indelible mark on the silver screen.

Stories

The most exciting thing about our spaces is what happens in them

Our flagship venue within the Spaces & Stories WeWork Collection, hosted an extraordinary Summer Showcase welcoming clients and agencies.

Last month we hosted an intimate dinner at New Century to celebrate 60 years of the iconic mid-century dancehall.

The best things come in unexpected places. Thirty Eight Grosvenor, the refined Georgian townhouse in Mayfair, was not an obvious choice for the debut of Chau-rising, a label disrupting the fashion world with its designs as well as its attitude towards materials and sustainability.

In March, Soweto Kinch brought a full orchestra to Printworks to present White Juju, his artistic response to the pandemic and the culture wars, fuelled by black protest and creativity. At a time when the UK is grappling with its institutional histories of slavery and white privilege, Kinch presented a ‘tone poem’ for the modern world.

In November, the ‘visual discovery engine’ came to Manchester to host a group of creators in the luxurious modernist spaces of New Century. Known for driving inspiration and springing new trends, Pinterest found the perfect stage under the disco lights of our favourite dancehall.

The collaboration between the Paris-based designer and heritage sportswear brand has surprised the fashion industry. But its launch at Depot Mayfield suggests the importance of Manchester’s place in the history of fashion.

This year, we launched a very special car at The Beams, with help from Jae5 and TikTok. We explore why the world’s most powerful Bentley is leading the charge on electric vehicle design.

Exhibition London is the new home of the iconic West Hollywood roller rink, bringing the free spirit of the 1970s to a new generation. We explore the Californian roots of Flipper’s and the community of London skaters bringing it to life.

The inaugural Mayfair Maison launched this month at Thirty Eight Grosvenor Square, bringing a curated selection of British-based designers to the gilded Georgian townhouse. We look at what was on offer during the pop-up, from ex-catwalk bargains to limited editions. It’s a whole new way of thinking about shopping.

Legendary menswear designer Raf Simons chose Printworks to stage his first ever show in the UK. The presentation took aim at the hierarchies and formality of fashion week, with a boldly minimal collection that sang in the raw aesthetics of the former printing factory.

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